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Both tracks put out so far by the group Ashnymph defy easy classification: their own description of the sound as “subconscioussion” provides few hints. Their initial track Saltspreader blended a jackhammer industrial beat – member Will Wiffen has at times appeared on stage wearing a T-shirt that displays the emblem of Godflesh, icons of industrial metal – with old-school electronic keys and a riff that subtly echoes the enduring garage rock anthem I Wanna Be Your Dog, before transforming into a wall of disquieting noise. Its intended effect, the group has mentioned, was to conjure highway journeys, “the grinding circulation of vehicles around the clock over great lengths … orange lights at night”.

The next release, Mr Invisible, occupies a space between nightclub tunes and experimental rock. On one hand, the cut's tempo, multiple entrancing electronic parts, and lyrics that appear either psychedelically smeared or mesmerizingly repeated in a way that brings back Underworld's Dubnobasswithmyheadman period all indicate the dance space. Alternatively, its intense performance-style shifts, near-anarchic character and distortion – “getting that crisp distortion is a personal mission,” Wiffen noted – mark it out as clearly a group effort rather than a lone electronic artist. They’ve been playing around the self-made music community of south London for less than a year, “any venue that cranks the volume”.

But both are exciting and different enough – mutually and anything else around at the moment – to make you wonder about what Ashnymph might do next. Regardless of the form, on the evidence of Saltspreader and Mr Invisible, it’s sure to be engaging.

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